As usual, our recent trip to Austin was a steady diet of Maudie's, Shiners, and Marlboros, with a little rock & roll for roughage. I swear, if I lived in that town I would shortly look like Keith Richards. And yet, every time I leave I think about how I can't wait to come back.
The Old 97s shows were good. They have a new album out today called
Drag It Up, which incidentally sounds like it could have also been the name of Rupaul's last album (side note: did you know that if you Google "Drag It Up" you get a funny mix of Old 97s and gay pride results? Well, you do).
The new record is pretty good although I don't think it's their best. There are a few standouts:
Won’t Be Home,
Adelaide, and especially
Smokers, which is good on the record and electrifying live. On the other hand, there a lot of ballads that are among the worst things they've ever done:
This is the Moonlight,
Blinding Sheets of Rain, and the revolting
No Mother. Also,
Coahuila belongs on a Jimmy Buffet album; let us never speak of it again. I don't know; I'm all about the Old 97s being loud and fast, like
Timebomb, or Paris Hilton.
The shows were a good mix of new and old, mostly old. The Austin crowd seemed to be having a better time than then one in Dallas, for some reason, but in both cases there was plenty of cult-like intensity. Watching the crowd was like watching two thousand Nancy Reagans stare, laser-like, at the four Ronnies on stage.
Rhett Miller seems to be the special focus of most of the audience (the girls, especially). He's cute, but lately he's turned into the Breck Girl of the alt-country genre; his hair is a little too long and too pretty; his teeth are a little too white and too straight. I can picture him on a shampoo bottle. I liked him better when he was a geek.
Later, when I watched the first night of the Democratic National Convention, I had a strange sense of doubling when Hillary & Bill came on the stage: there was the same culty adoration, the same sense of the crowd hanging on their every word. Kate O'Beirne noted that "the look of rapture on the faces of the women delegates when they gaze upon Hillary is remarkable." Tell me about it, Kate, I saw the same exact thing at the Gypsy Tea Room the other day. Come to think of it, the Dems have their own Breck Girl: John Edwards. Come to think of it again, the Old 97's have the perfect campaign song for Edwards:
Weightless. And one for Kerry:
Indefinitely. Heck, let's throw one in for the president too:
Let the Idiot Speak.